A World of an Artist from a Scholar’s Perspective
Both Star Wars and the Foundation series fall under the umbrella of science fiction. There’s an galaxy of difference between the two, including the ‘hard’ aspect that most readers think about when discussing sci-fi. While Star Wars is a space opera in its essence much like the Vorkosigan Saga, Legend of the Galactic Heroes andContinue reading “How hard should sci-fi be?”
We’ve all seen it – the dreaded fantasy cover that looks like…well…an explosion in a confetti shop with humanoid forms in the background. The story behind that cover can be anything – from hard-core military sci-fi to a fairy-tale. What that story does not include, however, are fireworks, half-naked ladies and buff barbarians. But theContinue reading “Judging a book by its cover”
Having moved back home (yey, I am back to writing stuff and paying bills), I finally found time to rearrange the books I’ve been lugging around, while visiting conferences and parents. Going through the shelves, I noticed an interesting pattern: half of my academic interests revolve around military matters and social networks, while everything elseContinue reading “My trouble with battles in genre fiction”
Most genre fiction novels have romantic subplots. That’s an unwritten rule. The rare exceptions usually fall into the category of hard or military sci-fi. But even the toughest of those occasionally push a romance into the mixture of strategy and science. The Foundation series doesn’t do a great job at it. The Honorverse is aContinue reading “Romantic subplots in fantasy and sci-fi”
‘Villain’ might be one of the most overused terms in media: we analyse villains in fiction, we write about best villains in film and television, we rate villains in comic books. As a result, the term has become so vague that the only definition that remains is somewhat moralistic. A ‘villain’ is evil. Whatever thatContinue reading “Villain VS Antagonist”
I repeatedly tried to get into young adult fantasy. Without success. Most of the time, I simply could not stand certain approaches that were not the fault of the authors, but rather the common trait of this specific literary niche. And, while I believe it is uniquely rich, inventive and has a lot to offer,Continue reading “My trouble with Young Adult Fantasy”
I originally posted this essay on Medium, but decided to leave a copy here. Because the difference between an ‘enemy’ and an ‘antagonist’ is something that gets lost all too often when we talk about complicated characters in fiction. Because TV adaptations are tricky. And because Zahn’s books deserve recognition. Spoilers ahead! (Star Wars ThrawnContinue reading “Why Grand Admiral Thrawn should not be the Villain in the Mandalorian”
Point of view is the lens through which you either tell your story as a writer or discover your story as a reader. We don’t spend much time mulling over the differences between POVs unless we are trying to muster the craft. And, yet, they exist and they matter. First-person, second-person and third-person points ofContinue reading “Point of View and why it matters”
Given the genre’s Western origins, it is not surprising that works of classical fantasy rely on a pseudo-European setting to convey the story. The level of ‘crapsack’ in that setting depends heavily on the niche the author chooses – the pendulum swings from a ‘knight in shining armour’ to a ‘serial killer knight on drugs’.Continue reading “All Sides of Fantasy: Fantasy Settings expand”
We all have our pet peeves and favourite tropes. In some cases, our professional inclinations determine them. After all, years of rigorous training in one field inevitably shapes the way we grasp and interpret fiction. We can’t escape it. Professional deformation is real. It makes us shout, “This is not how heavy cavalry works!” andContinue reading “Fantasy sins all historians notice”
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