My trouble with battles in genre fiction

Having moved back home (yey, I am back to writing stuff and paying bills), I finally found time to rearrange the books I’ve been lugging around, while visiting conferences and parents. Going through the shelves, I noticed an interesting pattern: half of my academic interests revolve around military matters and social networks, while everything elseContinue reading “My trouble with battles in genre fiction”

Should a novel have a message?

I consider Foundryside interesting and well-written despite never being able to fully enjoy the novel as much as it deserves. Foundryside’s original worldbuilding is both subtle and detailed. Magic based on computer programming not only makes perfect sense, but also creates unique opportunities for unexpected plot twists and reveals. Above all else, I appreciated theContinue reading “Should a novel have a message?”

The beauty of unrelatable characters

Most tips for introducing the main character in fiction revolve around one important concept – relatability. A relatable protagonist allows the audience to get attached to them easily. Unlike most things in history and sociology, the theory behind relatable protagonists is straight-forward: if you understand the goals and desires of a person, you are moreContinue reading “The beauty of unrelatable characters”